Can we just once ignore American political correctness and acknowledge the elephant in the room? When are we going to finally going to stop beating around the bush and admit that these people have a serious problem in their community. Among them is a lack of work ethic, a low regard for rule of law, and a culture of violence which has existed for decades now. I am of course speaking about American white people.
The recent riot at a pumpkin festival in New Hampshire was just the latest example of white violence exploding in public for the whole nation to see. Presumably because they love pumpkins, and almost exclusively white crowd of thugs proceeded to destroy their own community. Of course this was not the first time. Not by a long shot. White youth rioting is actually quite a common experience, but our politically correct media prefers to tip toe around the question of race whenever white college students go on a rampage. Once again we have another white riot and where are the voices of the community? Where is the condemnation? Where are leading white figures such as Jon Stewart, Zooey Deschanel, Sean Hannity, or Brad Pitt? Why aren’t they speaking to their community, letting them know that enough is enough and that they are holding themselves back?
Of course liberal academia and their friends in the media have all manner of excuses for white youth as to why they behave this way. There’s a lack of jobs. They have massive debts from student loans. These excuses do nothing but coddle white youth and enable them to engage in all manner of anti-social and even criminal behavior. Besides, I’m white and I have a job. I also don’t owe anything in student loans. I pulled myself up by my own bootstraps and if I can do it, anyone can. Therein lies the problem, however, because the truth is that many white youth simply don’t want to succeed. Ultimately, the problem lies with the culture, a culture that glorifies violence, sex, drugs, and underachievement. Let us examine just a few examples of this rotten culture.
Probably the best place to start would be with the so-called “gun culture.” It’s no secret that anything related to gun culture in America, from the NRA and gun clubs to extremist citizen militias, will inevitably be almost invariably white. White people are simply fascinated by guns, often with tragic results. If not in the form of bloody shooting sprees such as the one in Aurora, Colorado, then in the form of tragic accidents stemming from unbelievable irresponsibility. Just look at these photos, which demonstrate the white obsession with firearms and violence.
This obsession with guns fits in nicely with white gamer culture, which simply adores violent games such as Call of Duty: Modern Warfare and Black Ops. These games typically feature white heroes gunning down non-white people such as Arabs, Africans, Afghans, and Vietnamese, as well as not-white-enough people such as Russians. Let us not forget that white people’s love of violence and the military got our country involved in two wars which have led to hundreds of thousands of deaths in the real world.
The violence and degeneracy extends into the realm of white music..Now many people will immediately point to hip-hop, traditionally seen as “black music,” as promoting violence, misogyny, and a whole host of other social ills. There are two problems with this. The first is that most of the consumers of that sort of hip-hop are in fact white, and the owners of the record companies, the producers, and the radio station owners are white as well. In other words, the people buying most of that degenerate hip-hop are white. And let’s not forget that one of the most successful rappers of all time is none other than the white Eminem, whose fame was rooted in totally doing away with any pretense of decency and promoting drug use, violence against women, and all manner of perverted sex acts. Contrast that to some of the most famous rap songs in history, by one of hip-hop’s greatest legends, Tupac Shakur.
Tupac’s masterpiece sends a positive message- there are problems in the community and it’s time to make changes. He preaches personal responsibility instead of whining about student loans or a lack of well-paid jobs for journalism majors. Let’s see how that compares with Eminem, who seems to revel in being a degenerate.
Oh, but it’s the black community whose music glorifies anti-social behavior, you say? Again, just remember that the main consumers of that mainstream hip-hop you’re thinking of are white, and those violent, misogynistic lyrics are routinely blasted from the windows of white frat houses and mostly white dorms for hours on end. Fraternities in particular have been known to put on ghetto parties, where they insultingly dress up as “gangstas” and show their admiration for the worst aspects of life in neighborhoods they’ve never lived in. Whereas the black community laments this behavior and sees it as a negative side effect of ghetto life to be overcome, white middle and upper class youth see it as something to aspire to.
What about the whitest music there is, namely country music? Country music makes pretenses to being wholesome and family-oriented. Nothing could be further from the truth. It also glorifies violence, sex, and more than anything, alcoholism. No wonder white youth are more likely to abuse alcohol and drugs. Let’s take a look at what country music has to offer.
This song by Garth Brooks is about an underage boy losing his virginity to a much older woman.
This song glorifies violence and drunken behavior in small rural towns, which tend to be all white of course.
Gretchen Wilson is a particularly notorious offender. This song is entitled “Redneck woman.” In it, the “artist” sings about drinking beer all night and failing to keep her household within acceptable limits of hygiene, while at the same time carrying her baby on her hip. Somebody call child protective services, please.
Of course Wilson’s persona isn’t exactly the rough-around-the-edges, salt of the earth matriarch portrayed in that song. Her other hit songs are about partying the night away in seedy redneck bars, drinking herself blind with a strong implication that sloppy group sex with multiple anonymous male partners follows.
When beer won’t suffice, Wilson recommends whiskey.
In “Home wrecker,” she threatens a woman with violence because she suspects that she’s messing with her man. Maybe her man wouldn’t be driven to cheating if he wasn’t with a “redneck woman” who stays out till the wee hours of the morning getting plastered. Oh wait, I forgot. That would mean taking responsibility for one’s own behavior, something not particularly common in the white community.
In case the reader thinks I’m picking on Wilson too much, take a look at this song by Joe Nichols, strongly implying a lax attitude toward sexual consent in “Tequila makes her clothes fall off.”
Country legend Toby Keith gives us this song, about the well-known white practice of going down to Mexico to get drunk and engage in all manner of immoral behavior. Of course if it happens in Mexico, it doesn’t count.
Here’s yet another song about white people causing problems in Mexico.
Coming back to Garth Brooks, here’s a song about a mother cheating on her husband, who eventually murders her.
Of course when speaking of the problems in white popular culture, we must go beyond music. Let us take a look at some of the most popular TV series which feature white actors and which are beloved by white audiences. The Sopranos was just one example of a white obsession with organized crime. Whereas in most films and TV shows criminals are portrayed as the bad guys, white audiences love stories about the mafia, wherein wiseguys are portrayed as philosopher kings. The Departed takes this to a new level, combining organized crime with a revelry for “Irish” violence and drunkenness. The latter is a common theme in America, where millions of white Americans believe they are “Irish” in spite of the fact that they’ve never been to Ireland, simply because their great-great-grandmother was from the Emerald Isle. If we ignore the glorification of violence and drunkenness so common in white culture to focus on visual arts like television, one of the most popular recent series was of course Breaking Bad, where the white heroes are drug dealers peddling one of the most addictive and dangerous substances on the streets today. Game of Thrones is also rife with violence, gore, and gratuitous nudity.
Speaking of sex and nudity, decadence is often glorified in films for white audiences, such as Martin Scorsese’s Wolf of Wall Street. This is particularly relevant after the 2008 financial collapse, a world-shattering event caused by undisciplined, dishonest white people with no regard for society. No doubt many of those bankers grew up on country music and other bad influences common to the white community. Raised to be dependent on government, they felt they “deserved” our taxpayer dollars in the tens of millions.
The white work ethic is also notably poor. Millions of college graduates whine and complain about not being able to find a job. The truth is there are plenty of jobs, they just don’t want to do them. They want to put that media studies degree to work and make documentaries explaining how Star Wars could have been improved. They want to go to Comic-Con and dress up like superheroes. They can always be found on Kickstarter and other e-begging sites, panhandling for money so they can make their “art.” Brooklyn is full of these lazy, “funemployed” hipsters who just need a little bit more money from you to pay their rent until they get their big break. Then they might send you a signed copy of their pretentious film about 80’s cartoon theme songs.
I could go on for pages with more examples of white America’s deep-rooted cultural problems, but I think it’s time to wrap this up with an appeal to white America. Look, folks, I’m white too and I’m saying it is high time for you to stop making excuses and get your shit together. Stop wearing AR-15s in public like armed thugs and stop listening to music about getting drunk and running over your own two-year-old child with a quad. Yes, many of us are descended from downtrodden immigrants, but that was decades ago, if not more than a century for some people. Just because grandpa was a poor bricklayer from Sicily doesn’t mean he didn’t get a massive leg up after WWII when the government spent millions on education, home loans, and other benefits for white people. Today, most welfare recipients are in fact white, and that’s not even counting things like farm subsidies, special tax breaks, and government bailouts, all of which mostly benefit whites. All of this leads to a culture of thuggery, entitlement, and dependency. White America, you have nobody to blame but yourself. It’s time to shape up!